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Steve Marsel Studio

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Chicks with Guns – Seeing RED

February 9, 2015 //  by Steve Marsel

Photo Assignment: Chicks with Guns

Seeing RED

 

You don’t kill animals. You harvest them
You don’t kill animals. You harvest them

 You don’t kill animals. You harvest them.

Not The Obvious Choice: If you think about it, I’m a very odd choice to shoot a project like this. I didn’t speak the language of outdoor sports, especially hunting! In my experience, affinity matters. For instance, I was once up for a commercial account for a golf accessory business. I didn’t get the account simply because I didn’t golf. Everyone that worked on that account had to be a golfer. In retrospect, that made a lot of sense. How could I possibly add anything to a golf shoot if I didn’t know the first thing about golf?

Now we come to “Chicks with Guns” : I’ve never hunted and have only fished on occasion. I’ve always lived in the city. Truthfully, I’ve never really understood why people liked hunting. It seemed barbaric to me. And based on where and how I was raised, it made sense for me to think that way.

They’re not guns. They’re firearms.
They’re not guns. They’re firearms.

They’re not guns. They’re firearms.

A Different Kind of “Shoot”: I fancy myself a wannabe video producer. Since the middle of last summer, I had been traveling to Maine every weekend, working on a peripherally related spec video project to flex my producer skills. When a client asked me to shoot a calendar for The Maine Sportsman Magazine, I didn’t hesitate! I thought, at the very least, the project would subsidize my gas expenses.

I also knew this type of project is why I got into the business of being a photographer in the first place. I wanted experiences that were both outside my sphere of knowledge and/or outside my comfort zone. And besides, this was the Miss Main Sportsman Competition—“Chicks with Guns”! What could be wrong with a photo-essay like that? Little did I know I was in for the learning experience of my life!

Jodi Jennings Haskell - Finalist, 2014 Miss Maine Sportsman Competition
Jodi Jennings Haskell – Finalist, 2014 Miss Maine Sportsman Competition

 

I’m A Liberal from Connecticut:  “Hi! I’m Steve Marsel. I’m a liberal from Connecticut, and I’ve never fired a rifle.” Though I never actually said that, those words rang in my head during each call I had with the finalists of the Miss Maine Sportsman Competition to introduce myself for an upcoming shoot. Their way of life was alien to me: hunting, fishing, stuffing. Words not found in my daily vocabulary. But when I opened my mind and put my preconceived notions to rest, what I discovered about these “alien” people taught me a great deal about myself and my world view.

Britt Humphrey - Finalist, 2014 Miss Maine Sportsman Competition
Britt Humphrey – Finalist, 2014 Miss Maine Sportsman Competition

 

Ballots, Businesses, Bears, Oh My!: This project came at a critical time in the state of Maine. A binding question on the November ballot might have banned the use of bait, dogs or traps to hunt bears in the State of Maine – forever! Animal-rights groups had been streaming in money from out of state for months. The “bear-baiting” question was on everyone’s mind.

Carly Chapman  - Finalist 2014 Miss Maine Sportsman Competition
Carly Chapman – Finalist 2014 Miss Maine Sportsman Competition

I discovered that thousands of people made their living in Maine as registered guides. For those of you who don’t know, a registered guide is “any person who receives any form of remuneration for his services in accompanying or assisting any person in the fields, forests or on the waters or ice within the jurisdiction.” There are more than 4,500 registered guides for hunting and fishing in the state. More people than I ever imagined.

Tiffany Waldron - Finalist, 2014 Miss Maine Sportsman Competition
Tiffany Waldron – Finalist, 2014 Miss Maine Sportsman Competition

 

Against the Odds:  Old school hunters were dying off, and sporting camps and lodges found it difficult to make ends meet in the modern world. For one, the competition for American sporting activities is staggering, leaving hunting and fishing desperate to keep up. For another, gas prices (until recently) had been increasing over the past few years, which really put a crimp in many businesses. It became harder and harder for sporting camps to remain viable businesses. So many of their customers drive from other states.

Georgette Kanach - Finalist, 2014 Miss Maine Sportsman Competition
Georgette Kanach – Finalist, 2014 Miss Maine Sportsman Competition

 

What the average person doesn’t understand about the hunting industry is how many people travel from out of state to hunt and, more importantly, the economic stimulus their travels provide. Hunters and fishermen that drive up from other states usually stop along the way at the Kittery Trading Post or L.L. Bean or the like and spend money. Of course, many of those hunters come for the bear hunt.

Barbara Plummer - Finalist, 2014 Miss Maine Sportsman Competition
Barbara Plummer – Finalist, 2014 Miss Maine Sportsman Competition

 

A registered guide told me that even prior to election day, when the referendum would finally come to a vote, hunters, who would normally leave there trophy bears with taxidermists in Maine, were taking their bears back with them to their home states. “Why?” I asked him. He explained that the out-of-state hunters didn’t know if they would ever come back to Maine. Even before the first ballot was cast, the state was losing money.

Linda Mercer - Finalist, 2014 Miss Maine Sportsman Competition
Linda Mercer – Finalist, 2014 Miss Maine Sportsman Competition

 

Both Sides of the Coin: Then there’s the larger issue, which is the really big educational concern for me. Most Americans have no idea where their food comes from, and many just don’t care. They think it’s cruel that hunters bait bears in the woods and shoot them. Perhaps these people think that their meat appears out of thin air on a piece of Styrofoam wrapped in plastic. “Blue-state” Americans (seemingly) refuse to make the connection with the food they eat in restaurants or put on their tables and where the food actually comes from. And I must admit that I was one of those liberal blue-state people. I thought that hunting was cruel.

Bethany Terstegen - Finalist, 2014 Miss Maine Sportsman Competition
Bethany Terstegen – Finalists 2014 Miss Maine Sportsman Competition

 

Let me make something clear: the bears in the woods have a much better chance of surviving than any animal waiting to be killed in a slaughterhouse somewhere, such as farm-bred cattle or chickens. The animals we line up in narrow stalls without giving an inch to turn their neck—they stand no chance of surviving! I think that my liberal brethren never think of that. The reason they don’t think of it is because they don’t want to.

Alyson Randall - Finalist, 2014 Miss Maine Sportsman Competition
Alyson Randall – Finalist, 2014 Miss Maine Sportsman Competition

 

Hunting and fishing in America is a birthright. It’s how this country was settled. And it is narrow and shortsighted to think hunting and fishing as simply cruel and unusual punishments. Especially when you consider the slaughterhouses and huge corporate farms that treat animals cruelly as a matter of course day-in and day-out. Where is the uproar for the rights of those animals? No one seems to care.

 

Starley Cashman - Finalist, 2014 Miss Maine Sportsman Competition
Starley Cashman – Finalist, 2014 Miss Maine Sportsman Competition

 

A Look from the Other Side: You’ve probably heard the old saying, “A mind is like an umbrella: it functions best when open.” (Lincoln) That’s how I hope to approach every experience in my life. I want to keep an open mind so that I see both sides of as many issues as possible. True, I am a liberal, from a blue state, but the past few months have educated me. I now better understand where guides, hunters, fisherman and the like are coming from. I force myself to rise above the hypocrisy.

Now, that doesn’t mean I’m going to pick up a rifle and start hunting tomorrow or next year or possibly ever. I’m not sure hunting is for me. But I learned something. I learned that I didn’t understand the issue of harvesting animals from the point of view of the people that were using them. My new friends gave me a new-found appreciation for what those individuals are fighting. I’m glad to engage anyone on this topic and speak on both sides of it. But I think that after this exposure, I’ve been informed and transformed. “Chicks with guns” turned out to be a very educational project for me, and I appreciate the opportunity to have experienced it.

 

 A very special thanks to James Eves for his generous spirit and gifted skills retouching these images.  Thank you my friend!

And to  Rhen Wilson for his superb editing skills.

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

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Category: "Talent", Behind the Scenes, Blog, Casting, On being a photographer, Photography, Production Stills, Social Commentary, Social ConscienceTag: Advertising Photography Blog, Blog, Executive Producer, Photographer's Blog, Steve Marsel, Steve Marsel Galleries, Steve Marsel Stock, Steve Marsel Studio

Steve Marsel Studio Cinemagraphs

September 26, 2013 //  by Steve Marsel

OgdenFamilyAG-960x540-WM

JonokuchiAG2-960x540-WM

HartchAG-960x540-WM

Coughlin-960x540-WM

GraduateAG-960x540-WM

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
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Category: Blog, Cinemagraph, PhotographyTag: Advertising Photography Blog, Blog, Cinemagraph, Cinemagraphs, Co-Executive Producer, Ice Holes, James Eves, Photographer's Blog, Steve Marsel, Steve Marsel Archives, Steve Marsel Fashion Photographer, Steve Marsel Studio

Cinemagraphs Bring Life to Photos on the Web

May 26, 2011 //  by Steve Marsel

Harry Potter is not the only one who can bring magic to still images.

Merely a month ago, the term “Cinemagraphs” was coined and brought an entirely new type of game to the photo field.  Cinemagraphs are beautiful animated GIFs combining a still image, short video clip and technique to create photographs that appear to move in select areas of the frame.

Boston Photographer Steve Marsel's Animated Gifs - Cinemagraphs
Boston Photographer Steve Marsel’s Animated Gifs – Cinemagraphs

Originator, Jamie Beck says “we wanted to tell more of a story than a single frame photograph, but didn’t want the high maintenance aspect of a video…cinemagraphs were born out of a need to tell a story in a fast digital age.”  Much like the rest of the world that gawked at first site of these images, Steve and retoucher James Eves were impressed and immediately in pursuit of more.  The two paired up to create a series of .gifs that celebrate the upcoming Memorial Day holiday. The idea is simple—give people something they have never seen before, and show them that a photograph can tell a story in more ways than one especially with some Cinemagraphs!

 

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
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Return to original animated gif “Cinemagraph” Post – “U.S. Veterans – A FewGood Women”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guest Blogger Stacey Lamb
Guest Blogger Stacey Lamb

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Guest blogger Stacey Lamb is an undergraduate student in Communications and Studio Art at Florida State University.  The next six months should prove to be quite an adventure for her—following her internship with Steve she will be backpacking Europe and studying abroad in London in the fall.  Her passion for photography, fashion, travel and music strongly influence her adventures and life goals.

 

 

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site. Cinemagraphs Cinemagraph

 

 

 

Category: Behind the Scenes, Blog, Cinemagraph, Cinemagraphs, Photography, TrendsTag: 363-2.org, Advertising Photography Blog, animated photo gif, animated photo gifs, Blog, Boston Corporate Portraits, Boston Photographer, Boston Photographers, Boston Photography Blog, Cinemagraph, Cinemagraphs, James Eves, Photography Blog, Stacey Lamb

A Few Good Women – Cinemagraph by Steve Marsel

May 25, 2011 //  by Steve Marsel

“Serving in the USMC was an experience that is a part of me.  I live it day to day.”

Sgt. Heidi Larson Hurley USMC

Sergeant Heidi Larson Hurley served in the Marine Corps for nine years.  “I decided to join during my senior year of high school while all my friends were being accepted to college,” she reflects.  “I still recall Parris Island like it was yesterday.” As graphic illustrator, she was part of a team that created training aids and presentations for briefings and events during the Saudi Conflict in 1991.  She went on to study at Mass ART and to work at Boston ad agency Hill Holiday.  Today she teaches art and design at Braintree High School outside of Boston.

Sgt. Heidi Larson Hurley USMC
Sgt. Heidi Larson Hurley USMC

The flag waving in Heidi’s classroom this Memorial Week is a reminder of – and a tribute to – all who have served their country and the cause of freedom.   “I belong to the Women Marines Association,” says Heidi.  “Some of the members are in their eighties and nineties now, among the first women who served in the USMC. I am honored to know them.”  Semper fidelis.

 

Want to know more about Steve Marsel’s animated Cinemagraphs? – Click here!

 

 

 

Guest Blogger Jack Brady
Guest Blogger Jack Brady
 
 
Guest Blogger John (“Jack”) Brady is a writer, editor, author and biographer.  He was editor-in-chief at Writer’s Digest and Boston magazine, and founding editor of The Artist’s Magazine.  His byline has appeared in New York magazine, New Times, Esquire, American Film, The Sunday New York Times, The Boston Globe Magazine and numerous other publications.   His interview with author Evan Connell appeared in the March 2011 issue of The Writer magazine. He has taught journalism at Boston University and has been visiting professional at the Scripps School of Journalism, Ohio University and was Hearst Visiting Professor at the University of Missouri Journalism School.

 

John Brady lives in Newburyport, Massachusetts and can be reached at 978/463-2255 or at 978/270-6686 (cell); or by e-mail at Bradybrady@aol.com.
 
 
Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us
 

Category: Blog, Cinemagraph, Cinemagraphs, Holidays, PhotographyTag: 363-2.org, Advertising Photography Blog, animated gif, animated gif photo, animated photo gif, Blog, Boston Corporate Portraits, Boston Photographer, Boston Photographers, Cinemagraph, Cinemagraphs, email marketing, from me to you, Heidi Larson Hurley, Jack Brady, James Eves, Jamie Beck, Kevin Burg, Photographer's Blog, Photography Blog, Return of the Icemen, Steve Marsel, Steve Marsel Archives, Steve Marsel Galleries, Steve Marsel Stock, Steve Marsel Studio, Stevemarsel.com

The Body Paint Renaissance by Paul Roustan

February 18, 2011 //  by Steve Marsel

Logo t-shirts, skinny jeans, and boys with shoulder length haircuts: what do these all have in common? They are all popular fashions from the seventies and eighties that became freshly rejuvenated styles in the 2000s.

Body painting, the application of paint/makeup to human skin, like many other fashions and forms of art, also experienced this reawakening. Except many people may not have realized this yet.

It can be debated that body painting is one of the oldest forms of art, often used in tribes as a form of rank or hierarchy. And over the centuries, the art-form evolved into different applications ranging from the traditional tribal, to go-go dancers, to Hollywood cinema, including such techniques as fantasy, camouflage, decoration, conceptualization, and tromp l’oeil.

In my opinion, body painting reached its undisputed highest glory in the 70s, when renowned fashion model/experimental artist, Veruschka (http://www.veruschka.net/), took her explorations to the most radical levels. She was essentially responsible for popularizing the camouflage technique, in which she would be painted, by herself and occasionally the photographer, to resemble the decaying environment, sometimes to the point where she seemed invisible.

Veruschka was also responsible for very conceptual photographic series’ where she would “remove” her painted clothing until nude, and then remove her skin to reveal the illusion of clothing underneath. Many of her techniques are still copied today, and those that knew of her then, still talk of her today, forty years later.

In the 90s, the art form was pioneered into the commercial industry by Joanne Gair (http://www.joannegair.com/). She is most notably recognized for her work with Annie Leibovitz and Demi Moore on the cover of a 1992 Vanity Fair (http://glamourphotography.co/wp-content/uploads/2011/01/Demi-Moore-Vanity-Fair-cover-1992-BodyPaint-by-Joanne-Gair.jpg) in which a fully nude Moore was painted in a tromp l’oeil styled, faux suit and tie. That image was arguably the most influential image for countless body painters today, including myself. This also proved to be the main springboard for Gair’s career. She has since continued on to do numerous episodes of America’s Top Model(and other continental versions), is the head artist for the painted bikinis seen every year, since 1999, in the Sports Illustrated, and she is regularly involved with countless magazines, fashion campaigns, and TV/Film spots. Gair is perhaps the most prolific body painter to date.

The commercial popularity of body painting resulted in endless amounts of copycat styles, which consequently began to cheapen its reputation. In the 2000s, when people thought body paint, they pictured cheetahs or faux bikinis, quickly reducing it to cliche. As a result, many have written body painting off as a tacky pursuit.

Which brings me to my point… Before you consider the art-form an old fad, remember that like the revival of the Fedora and enormous Sunglasses, the body paint wave has hit again!

With the aid of online social networks, the next generation body painter has arrived, and the exploration continues. A whole new world has opened up as more and more traditional artists are getting involved in the medium of paint on skin. The talent level has become plentiful and diverse. Many artists, such as, Nelly Recchia (http://www.nellyrecchia.com/), Anastasia Durasova (http://www.adurasova.com/), Nick Herrera (http://www.facebook.com/TheBodyPainter), and Alex Hansen (http://www.alexhansenart.com/) have managed to consistently push the current limits, and discover new ways to apply techniques, textures, and concepts. And let me be the first to say, this may be its renaissance.

If you are one of those people that frown upon the idea of body paint, take a moment to look again. You may be pleasantly surprised. After all, it’s not like it’s the rebirth of the mullet.

http://www.bikenewyork.org/rides/fbbt/index.html
Body Paint Artist Paul Roustan

Guest blogger Paul Roustan is a native of Chicago, IL, Roustan received a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago in 2002. After his move to Rhode Island, he completed a Master of Arts in Teaching degree at the Rhode Island School of Design in 2006.

Multi award winning and internationally published artist,
Paul Roustan’s work has appeared on Spike TV, the Chicago Sun-Times, Airbrush Action Magazine, among others. His work has been displayed in over a dozen galleries in the past year.

Roustan’s airbrushed bodypaintings have been used for corporate, private, television, and nightclub events worldwide, including clients Playboy, Bacardi, Tupperware, Absolut, and more. His work has also been featured in fashion shows, parades, photographic workshops, and magazines.

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.  Special thanks to Retoucher James Eves Model featured in photograph above Akonwara.. For future party and events checkout these awesome painters and decorators in london.

 

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All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

Category: Blog, Photography, TrendsTag: 363-2.org, Advertising Photography Blog, Blog, Body Painting, Boston Corporate Portraits, Boston Photographer, Boston Photographer Blog, Boston Photographers, Boston Photography Blog, James Eves, Paul Huber, Paul Rouston, Photographer's Blog, Photography Blog, Return of the Icemen, Steve Marsel, Steve Marsel Archives, Steve Marsel Galleries, Steve Marsel Stock, Stevemarsel.com

Your 2010 hangover is now officially over. Make 2011 your happy new year.

January 14, 2011 //  by Steve Marsel

Without even knowing that 2010 was the Year of the Tiger, I’m guessing that you will nod in agreement when I propose that we all need a warmer, fuzzier 2011.  That must be why it’s so pleasing to announce that next year will, in fact, be better—at least according to the Chinese zodiac. The Tiger of all hangover years—AKA, the year rife with cholera, oil spillage, and loudmouth tea partiers—will make way for the sweet, fluffy (preferably dwarf-angora-lop-eared ) Year of the Rabbit on February 3, 2011!

Original Photography by Boston Advertising & Commercial Photographer Steve Marsel
Photograph ©2011 Steve Marsel

So what should we all meditate on this year to make it a good one? Rest. Peace. Tranquility. The year proports to be languid and leisurely with a carefree and slightly indulgent air. Time to play nice and spoil each other. Do I smell gourmet cupcakes? Just don’t take it too far–procrastination will also loom. Railroad your diet, and that emergency bootcamp class will surely harsh the mellow.

Good taste, art, and culture will receive a bit more emphasis in 2011, as will personal development and slow, steady growth. Perhaps the most charming quality of the lucky rabbit year is that love, romance, and family life are well-starred. You will suddenly realize what it all means to you–how very lucky you are to have what you have and be surrounded by such amazing people, too.

While strife will still surround us—it can’t magically vanish, after all—the Rabbit favors peaceful solutions to life’s problems and much needed diplomacy. Last year may have left you feeling that all is lost, but chillax, hope is very much alive.

So enjoy yourself, entertain your friends, and take it easy! While you’re at it, have a coconut water – you probably need the electrolytes.

Lisa Miller

Guest blogger Lisa Miller was born in the Year of the Rat or the Jack Russell Terrier—she can’t remember. She is living and writing in enjoyable relative obscurity at the end of a driveway and the edge of a river. In true Rat fashion, as long as she doesn’t have to work in an office, Lisa will write anything you want at any time for money–anything.

Additional thanks go to the very talented Stylist Donna Laviolette Model – Amanda Wilson, and Retouching by James Eves Photography by Steve Marsel

Visit Steve Marsel’s other sites: Steve Marsel Studio, the assignment site and flagship site of the Steve Marsel brand, Steve Marsel Stock, the rights managed digital stock library of Steve Marsel Studio, Steve Marsel Galleries, the private gallery site of the Steve Marsel Studio. Visit one of Boston Photographer Steve Marsel’s other blogs as well: Steve Marsel Studio Blog , the creative blog of the Steve Marsel Studio. Steve Marsel Galleries Blog, Steve Marsel’s blog that discusses the stories behind the photographs, and Steve Marsel Stock Blog, the blog of Steve Marsel’s rights managed digital stock photography library that discusses the stories behind the images on the stock site.

 

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