Mobile Menu

  • Instagram
  • Twitter
  • Home
  • About
  • Contact
  • Menu
  • Skip to content

Steve Marsel Studio

Boston Photography Studio

Steve Marsel Studio

Edmund Hillary Meets Boston Photographer Steve Marsel

June 9, 2016 //  by Steve Marsel

Boston Photographer Steve Marsel Asks: Sir Edmund Hillary Redux?

 

The Fiction….

Boston wedding photographers were out shooting “for fun”.  Marsel spotted what he was sure was a “dead” ringer for famed New Zealand mountaineer, explorer  Sir Edmund Hillary. Sir Edmund” was the first mountaineer to climb Mt. Everest. His purpose? A supply mission before attempting to summit the peaks in New England’s Presidential Range this summer.  Steve Marsel asked the “Sir Edmund” lookalike was asked about persistent rumors that Hillary Clinton had been named after him. “Pure Rubbish” he retorted! Sir Edmund climbed Mt Everest six years after Hillary Clinton was born!
Taken by Boston Photographer Steve Marsel of Steve Marsel Productions with an iPhone SE

Sir Edmund Hillary Redux?
Fiction & Photo by Steve Marsel

 

The Facts

May 29, 1953 AD, the day the world remembers as historic, because something impossible was finally made possible. Sir Edmund Hillary and Tenzing Norgay Sherpa conquered the worlds Highest peak, the Mount Everest, after several attempts made by earlier mountaineers could change that dream into reality. The 60 million years old and 29035 feet peak was finally ascended by a beekeeper from New Zealand and a Sherpa from Nepal which today sounds like a folklore. Even after half a century of that feat of mankind, history repeats itself every year in May 29, as people from around world converge at the foot of the Himalaya to celebrate that momentous ascent, and take part in the infamous Everest Marathon.

 

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits|

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

 

Category: Blog, Photography, Steve Marsel ProductionsTag: Blog, Boston Photographer, Boston Photographers, Steve Marsel, Steve Marsel Studio, www.stevemarselstudio.com

Chicks with Guns – Seeing RED

February 9, 2015 //  by Steve Marsel

Photo Assignment: Chicks with Guns

Seeing RED

 

You don’t kill animals. You harvest them
You don’t kill animals. You harvest them

 You don’t kill animals. You harvest them.

Not The Obvious Choice: If you think about it, I’m a very odd choice to shoot a project like this. I didn’t speak the language of outdoor sports, especially hunting! In my experience, affinity matters. For instance, I was once up for a commercial account for a golf accessory business. I didn’t get the account simply because I didn’t golf. Everyone that worked on that account had to be a golfer. In retrospect, that made a lot of sense. How could I possibly add anything to a golf shoot if I didn’t know the first thing about golf?

Now we come to “Chicks with Guns” : I’ve never hunted and have only fished on occasion. I’ve always lived in the city. Truthfully, I’ve never really understood why people liked hunting. It seemed barbaric to me. And based on where and how I was raised, it made sense for me to think that way.

They’re not guns. They’re firearms.
They’re not guns. They’re firearms.

They’re not guns. They’re firearms.

A Different Kind of “Shoot”: I fancy myself a wannabe video producer. Since the middle of last summer, I had been traveling to Maine every weekend, working on a peripherally related spec video project to flex my producer skills. When a client asked me to shoot a calendar for The Maine Sportsman Magazine, I didn’t hesitate! I thought, at the very least, the project would subsidize my gas expenses.

I also knew this type of project is why I got into the business of being a photographer in the first place. I wanted experiences that were both outside my sphere of knowledge and/or outside my comfort zone. And besides, this was the Miss Main Sportsman Competition—“Chicks with Guns”! What could be wrong with a photo-essay like that? Little did I know I was in for the learning experience of my life!

Jodi Jennings Haskell - Finalist, 2014 Miss Maine Sportsman Competition
Jodi Jennings Haskell – Finalist, 2014 Miss Maine Sportsman Competition

 

I’m A Liberal from Connecticut:  “Hi! I’m Steve Marsel. I’m a liberal from Connecticut, and I’ve never fired a rifle.” Though I never actually said that, those words rang in my head during each call I had with the finalists of the Miss Maine Sportsman Competition to introduce myself for an upcoming shoot. Their way of life was alien to me: hunting, fishing, stuffing. Words not found in my daily vocabulary. But when I opened my mind and put my preconceived notions to rest, what I discovered about these “alien” people taught me a great deal about myself and my world view.

Britt Humphrey - Finalist, 2014 Miss Maine Sportsman Competition
Britt Humphrey – Finalist, 2014 Miss Maine Sportsman Competition

 

Ballots, Businesses, Bears, Oh My!: This project came at a critical time in the state of Maine. A binding question on the November ballot might have banned the use of bait, dogs or traps to hunt bears in the State of Maine – forever! Animal-rights groups had been streaming in money from out of state for months. The “bear-baiting” question was on everyone’s mind.

Carly Chapman  - Finalist 2014 Miss Maine Sportsman Competition
Carly Chapman – Finalist 2014 Miss Maine Sportsman Competition

I discovered that thousands of people made their living in Maine as registered guides. For those of you who don’t know, a registered guide is “any person who receives any form of remuneration for his services in accompanying or assisting any person in the fields, forests or on the waters or ice within the jurisdiction.” There are more than 4,500 registered guides for hunting and fishing in the state. More people than I ever imagined.

Tiffany Waldron - Finalist, 2014 Miss Maine Sportsman Competition
Tiffany Waldron – Finalist, 2014 Miss Maine Sportsman Competition

 

Against the Odds:  Old school hunters were dying off, and sporting camps and lodges found it difficult to make ends meet in the modern world. For one, the competition for American sporting activities is staggering, leaving hunting and fishing desperate to keep up. For another, gas prices (until recently) had been increasing over the past few years, which really put a crimp in many businesses. It became harder and harder for sporting camps to remain viable businesses. So many of their customers drive from other states.

Georgette Kanach - Finalist, 2014 Miss Maine Sportsman Competition
Georgette Kanach – Finalist, 2014 Miss Maine Sportsman Competition

 

What the average person doesn’t understand about the hunting industry is how many people travel from out of state to hunt and, more importantly, the economic stimulus their travels provide. Hunters and fishermen that drive up from other states usually stop along the way at the Kittery Trading Post or L.L. Bean or the like and spend money. Of course, many of those hunters come for the bear hunt.

Barbara Plummer - Finalist, 2014 Miss Maine Sportsman Competition
Barbara Plummer – Finalist, 2014 Miss Maine Sportsman Competition

 

A registered guide told me that even prior to election day, when the referendum would finally come to a vote, hunters, who would normally leave there trophy bears with taxidermists in Maine, were taking their bears back with them to their home states. “Why?” I asked him. He explained that the out-of-state hunters didn’t know if they would ever come back to Maine. Even before the first ballot was cast, the state was losing money.

Linda Mercer - Finalist, 2014 Miss Maine Sportsman Competition
Linda Mercer – Finalist, 2014 Miss Maine Sportsman Competition

 

Both Sides of the Coin: Then there’s the larger issue, which is the really big educational concern for me. Most Americans have no idea where their food comes from, and many just don’t care. They think it’s cruel that hunters bait bears in the woods and shoot them. Perhaps these people think that their meat appears out of thin air on a piece of Styrofoam wrapped in plastic. “Blue-state” Americans (seemingly) refuse to make the connection with the food they eat in restaurants or put on their tables and where the food actually comes from. And I must admit that I was one of those liberal blue-state people. I thought that hunting was cruel.

Bethany Terstegen - Finalist, 2014 Miss Maine Sportsman Competition
Bethany Terstegen – Finalists 2014 Miss Maine Sportsman Competition

 

Let me make something clear: the bears in the woods have a much better chance of surviving than any animal waiting to be killed in a slaughterhouse somewhere, such as farm-bred cattle or chickens. The animals we line up in narrow stalls without giving an inch to turn their neck—they stand no chance of surviving! I think that my liberal brethren never think of that. The reason they don’t think of it is because they don’t want to.

Alyson Randall - Finalist, 2014 Miss Maine Sportsman Competition
Alyson Randall – Finalist, 2014 Miss Maine Sportsman Competition

 

Hunting and fishing in America is a birthright. It’s how this country was settled. And it is narrow and shortsighted to think hunting and fishing as simply cruel and unusual punishments. Especially when you consider the slaughterhouses and huge corporate farms that treat animals cruelly as a matter of course day-in and day-out. Where is the uproar for the rights of those animals? No one seems to care.

 

Starley Cashman - Finalist, 2014 Miss Maine Sportsman Competition
Starley Cashman – Finalist, 2014 Miss Maine Sportsman Competition

 

A Look from the Other Side: You’ve probably heard the old saying, “A mind is like an umbrella: it functions best when open.” (Lincoln) That’s how I hope to approach every experience in my life. I want to keep an open mind so that I see both sides of as many issues as possible. True, I am a liberal, from a blue state, but the past few months have educated me. I now better understand where guides, hunters, fisherman and the like are coming from. I force myself to rise above the hypocrisy.

Now, that doesn’t mean I’m going to pick up a rifle and start hunting tomorrow or next year or possibly ever. I’m not sure hunting is for me. But I learned something. I learned that I didn’t understand the issue of harvesting animals from the point of view of the people that were using them. My new friends gave me a new-found appreciation for what those individuals are fighting. I’m glad to engage anyone on this topic and speak on both sides of it. But I think that after this exposure, I’ve been informed and transformed. “Chicks with guns” turned out to be a very educational project for me, and I appreciate the opportunity to have experienced it.

 

 A very special thanks to James Eves for his generous spirit and gifted skills retouching these images.  Thank you my friend!

And to  Rhen Wilson for his superb editing skills.

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

 

 

Category: "Talent", Behind the Scenes, Blog, Casting, On being a photographer, Photography, Production Stills, Social Commentary, Social ConscienceTag: Advertising Photography Blog, Blog, Executive Producer, Photographer's Blog, Steve Marsel, Steve Marsel Galleries, Steve Marsel Stock, Steve Marsel Studio

Our Bravest: A Salute to Veterans

November 11, 2014 //  by Steve Marsel

 My Photo Session with Disabled Veterans from Our Bravest

Our Bravest Composite FullBehind the camera, my own assumptions and comfort zone can be rattled. In honor of Veterans Day, I offer this story about one of those occasions.

 

An Unusual Pitch

The project started out as so many do—a pitch over the phone. In early spring of this year, a long-time client, Theresa Fisher of CCA Global in Manchester NH (whom I really like!), rang me up and ran through the typical pitch I’d heard a least a dozen times. But my ears perked when she mentioned a “public service project.” I’ve made a point over the years to seek out public service projects, but my migration from still photography to television has spread me a little thin.

I was already primed to agree when the client sweetened the deal with a few more details. I can’t recall the entire conversation—my ADD/multi-tasking brain can only absorb so much—but a few choice phrases stuck out:

“—Fourth of July weekend—”  “—see the fireworks—” “—in New York City—”  “—put you up in a hotel—”

Theresa knew exactly how to whet my appetite. What self-respecting photographer wouldn’t say yes to this?

However, it was only after an emphatic “YES!” that I came to terms with what I had just agreed to. The realization hit me square in the face. I’d signed on to shoot portraits for an organization called Our Bravest, a non-profit that builds Smart Homes for catastrophically injured veterans of the Iraq and Afghanistan wars. In other words, the types of veterans Our Bravest works with include burn victims and double and triple amputees.  I had never heard of Our Bravest.

As I set the phone down, my heart sank.

Exposing My Discomfort

You might be asking why the sinking heart. What was my issue? To be honest, lack of exposure. I’m not from a military family. No contemporary of mine is or has been in the military. I’ve never even met anyone disabled.

My mind raced, envisioning the injuries, the scars, the missing limbs. I’m squeamish to boot. I’m the kind of person who switches channels and looks the other way whenever I see something upsetting. I can’t even get my blood drawn without averting my eyes.  So imagining the day of the shoot, meeting these veterans…it made me – uncomfortable – to say the least!

But what could I do? There was no way I could reject the client’s offer. Theresa (Senior Vice President,Visual Merchandising and Branding) has always been a great supporter of mine. I’d committed myself to the project, and that was that.

 

Shifting the Focus

On an early Saturday morning in New York City, the day of the shoot for Our Bravest, my assistant Alex Mateo and I set up a studio in a function room in the hotel. I brought Alex because he’d done a tour of duty in the Air Force, and I thought someone on my team should have something in common with today’s subjects from Our Bravest.

When the first man to be photographed appeared, he rolled into the room on a motorized wheelchair. My heart quickened, and my equipment felt heavy and slick in my sweaty palms.

When I’m anxious, I become super efficient. I try to control everything I can, while I can, knowing that at any moment, I could lose any semblance of control I tried to cling to.

As the veteran, a triple amputee, approached, I felt that control slipping away. I hardly knew what to say, but the veteran didn’t need an introduction. As if sensing my nervousness, he introduced himself with an apology. “Sorry I’m late,” he said, slapping the arm of his wheelchair playfully. “This thing only goes about eight miles per hour. So traffic was pretty tough to get through.”

Without warning, I burst out laughing. And so did he. It wasn’t even that funny of a joke, but that wasn’t the point. The point was this man, who had gone through so much, used humor to snap me out of myself.

I had been so caught up in my own uneasiness, I didn’t bother addressing the truth. America’s veterans are us. We’re all the same. I didn’t need Alex to share something in common with them to make the day run smoother. We all share similarities, be it art, family, or a little self-effacing humor.

Any discomfort I had entering the studio dissolved immediately. For the remainder of the shoot, good banter and wit united us, and my empathy for the men and women who sacrifice themselves for this country blossomed. The resilience of the human spirit transformed me, and, thankfully, I will never be the same.

 

Special thanks to Theresa Fisher at CCA Global, Frank Siller and Paola Tornabene at Our Bravest for this great opportunity, James Eves for his great retouching, and Alex Mateo for his steady support, and Rhen Wilson for his superb editing skills.  

 

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

 

 

 

Category: "Talent", Behind the Scenes, Blog, On being a photographer, Photography, Production Stills, Public Service, Social Commentary, Social ConscienceTag: Blog, Boston Photographers, Consulting Producer, Executive Co-Producer, Executive Producer, Leftfield Pictures, NatGeo, national Geographic Channel, Nick Rigg, Photographer's Blog, Steve Marsel, Steve Marsel Galleries, Steve Marsel Stock, Steve Marsel Studio

Steve Marsel~Cinemagraph of Poles

June 29, 2014 //  by Steve Marsel

Steve Marsel’s Cinemagraphs

 

Adding Motion and Interest!

On Location with Photographer Steve Marsel

Steve Marsel's Cimemagraph of Brunswick School's Ogden family
Steve Marsel’s Cimemagraph of Brunswick School’s Ogden family

Brunswick School’s Odgen Family – Giving back and Conservation

Pictured above is one of Steve Marsel’s eight Cinemagraphs taken for [addlink url=”http://www.brunswickschool.org/” text=”The Brunswick School”] in Greenwich, Connecticut.  Brunswick is the leading independent day school for boys, nationally recognized for the strength of their academics, athletics, and the arts.  The school is known for the clarity and consistency of their educational mission, and the quality and character of our students, faculty, and alumni.  The Campaign for Brunswick seeks $100 million in capital gifts further these ideals and goals.  For the web aspect of the campaign, Steve Marsel was asked to create a series of images that grabbed the attention of the viewers of the site, preferably something they had never seen before!  In this Cinemagraph, the Ogden family is pictured on the breakwater at Greenwich Point not far from Brunswick Upper School campus.  The Family made a substantial donations to the school and are longtime supporters of The Connecticut Chapter of The American Red Cross where Ross Ogden spent six years on it’s board of governors.  Ross Ogden ’62 first came to Brunswick as a second grader in 1951, when his family moved to Greenwich from Chicago. He and his wife, Cathy, have two sons, both Brunswick “lifers.“ Ross ’91 obtained degrees from Dickinson College and The George Washington University, and currently invests in commercial real estate. He also follows his love of the outdoors with conservation work for various non-profit organizations. Ted ’95 was inspired by his years at Brunswick to pursue a teaching career after graduating from Middlebury College and earning an M.A. from the University of Chicago. He now teaches and coaches at the Landon School, outside of Washington, D.C. Like his brother, Ted is an avid fly-fisherman. Steve Marsel felt that the repeating loops of the tugging on the fishing pole made perfect sense for this image and complimented one of the passions of this family – conservation.

 

[

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us


Category: Behind the Scenes, Blog, Cinemagraph, Finding Locations, Photography, TrendsTag: Blog, Boston Photographer, Boston Photographer Blog, Cinemagraph, Cinemagraphs, James Eves, Steve Marsel, Steve Marsel Stock, Steve Marsel Studio

Steve Marsel~Cinemagraph of Lights

June 28, 2014 //  by Steve Marsel

Steve Marsel’s Cinemagraphs

Adding Motion and Interest!

A Look Behind the Scenes with Photographer Steve Marsel

Brunswick School’s Baker Theater

Steve Marsel's Cinemagraph of the Brunswick School's Doyle Family
Steve Marsel’s Cinemagraph of the Brunswick School’s Doyle Family

Pictured above is one of Steve Marsel’s eight Cinemagraphs taken for [addlink url=”http://www.brunswickschool.org/” text=”The Brunswick School”] in Greenwich, Connecticut.  Brunswick is the leading independent day school for boys, nationally recognized for the strength of their academics, athletics, and the arts.  The school is known for the clarity and consistency of their educational mission, and the quality and character of our students, faculty, and alumni.  The Campaign for Brunswick seeks $100 million in capital gifts further these ideals and goals.  For the web aspect of the campaign, I was asked to create a series of images that grabbed the attention of the viewers of the site, preferably something they had never seen before!  Although the current version of animated gifs had been out for some time, they had no really caught-on, with one glaring exception – the on-line porn industry! If you think about it, Cinemagraphs and porn are a perfect match.  The device that separates a great Cinemagraph from all the others is a seamless repeating loop.  Some moving element that repeats itself in a “loop”.  So much of what that industry sells involves shots “loops” of motion that repeat themselves over and over again.  Once again – porn & Cinemagraphs are a great fit!  My challenge with the Brunswick School job was to come up with “repeating loops” that somehow related to the people in the photo and their connection to the school.  In this Cinemagraph, the Doyle family is pictured on the stage of the baker Theater on the Brunswick Upper School campus.  The Family made a substantial donation to the school earmarked for construction of the theater.  The houselights at the Baker Theater are programmable LED ceiling lights manufactured by [addlink url=”http://www.colorkinetics.com/showcase/theatre-entertainment/” text=”Philips Color Kinetics”]. The repeating loops of the lights made perfect sense and adds commentary to the image

Steve Marsel Studio | Steve Marsel Stock | Steve Marsel Galleries| Boston Corporate Portraits| ICE HOLES on Facebook

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
Steve Marsel Studio Blog | Contact Us

 

Category: Behind the Scenes, Blog, Cinemagraph, Finding Locations, Photography, TrendsTag: Blog, Boston Photographer, Boston Photographer Blog, Cinemagraph, Cinemagraphs, James Eves, Steve Marsel, Steve Marsel Stock, Steve Marsel Studio

ICE HOLES – PREMIERES on NatGeo

May 30, 2014 //  by Steve Marsel

ICE HOLES – NEW SERIES PREMIERES

Friday May 30, 10PM/9 central 

The National Geographic Channel.

Marsel-ICE HOLES- Episode-7-0074s
ICE HOLES – NEW SERIES PREMIERES Friday May 30, 10PM/9 central on The National Geographic Channel.

 

This photograph taken on location on the set of National Geographic Channel’s ICE HOLES by Series Creator & Executive Producer Steve Marsel  Saturday, March 1st, 2014 on Lake Winnipesaukee in Meredith, New Hampshire.   This was taken during the filming of Episode 107 – “Going Big”.  Wob is considered the serious fisherman of our five characters.  He is proud of is fishing accomplishments and has that seasoned fisherman’s “swagger”.  He is knowing and wise (or so he believes).  He takes this all very seriously, an knows the most important thing is that if you don’t have a hook in the water, you’re not going to catch anything!    The show airs Fridays on National Geographic Channel. For more of Steve Marsel’s Photography, please visit Steve Marsel Studio

[addlink url=”https://www.stevemarselstudio.com” text=”Steve Marsel Studio”] | [addlink url=”http://www.stevemarselstock.com” text=”Steve Marsel Stock”] | [addlink url=”http://www.stevemarselgalleries.com” text=”Steve Marsel Galleries”] | [addlink url=”Http://www.http://www.bostoncorporateportraits.com/” text=”Corporate Photography”] | [addlink url=”https://www.facebook.com/pages/Ice-Holes/280202012149642″ text=”ICE HOLES on Facebook”]

All Images on this site are copyrighted material of © Steve Marsel Studio, Inc. & Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED

Steve Marsel Studio . 561 Windsor Street A204, Somerville MA 02143 617.718.7407 | 888.254.6505
[addlink url=”https://www.stevemarselstudio.com/blog/” text=”Home”] | [addlink url=”https://www.stevemarselstudio.com/blog/contact/” text=”Contact Us”]

Category: "Talent", Behind the Scenes, Blog, Crew, Ice Holes, Photography, Reality TV, VideoTag: Blog, Co-Executive Producer, Consulting Producer, Creator, Lisa Vitale, Steve Marsel, Steve Marsel Productions, Steve Marsel Studio, Steve Marsel Studio Blog

Next Page »

Copyright © 2025 — Steve Marsel Studio • All rights reserved. • Privacy Policy • Disclaimer

All Images on this site are copyrighted material of © Steve Marsel Studio LLC D/B/A Steve Marsel Studio. Unauthorized Use is Strictly Prohibited. ALL RIGHTS RESERVED